Album Reviews
You've heard it before in magazine articles but quiet is
indeed the new loud. Folk-rock artists such as Sufjan
Stevens are getting more and more exposure. Even on the
small Sounds Familyre label, Seven Swans is really touching
many people. Sufjan is a magical songwriter and is
definitely not new to the scene. Seven Swans was recorded
with Danielson Famile main-man Daniel Smith. It proves to be
a great choice, be it the familiarity Daniel has with Sufjan
or vice versa, the production is one of the first things you
notice on this gentle and primarily acoustic album. You tend
to feel a reflective tone in Stevens songs. They are all
quiet and mellow, sometimes just relying on Sufjan and
gently plucked guitar. Even as that, songs like "Abraham"
seem so much bigger than just the components making it up.
The album opens up with symphonic sounds of "All The Trees
of the Field Will Clap Their Hands", leading the way with a
banjo, an instrument we hear quite a bit from on Seven
Swans. We don't get to hear drums until "Sister" clicks on
but even then it's an ever gentle pace. There are
similarities between what Sufjan is doing here and Sam
Beam's Iron and Wine project. I would like to suggest that
the two do a split album in the future. Seven Swans is an
accomplishment and an album that we will definitely see on
some year-end lists.
(Sounds Familyre 2004)
-dennis Scanland
It was just about a week
ago that I proclaimed to a friend that Sufjan Stevens was
most likely my current favorite singer/songwriter under
the age of 30. I then revised that statement to the age of
under 40, and then I even went ahead and declared that
Stevens might very well be my current favorite
singer/songwriter flat out. I've had the fortune of
following his progress from the start, and although that
debut disc (A Sun Came) didn't exactly signal
greatness, it was the stunning leaps and bounds that he
made with his follow-up of
Enjoy Your Rabbit
that marked him as a musician I should keep my eye on.
After his stylistically
varied first two CDs, I'm not sure that anyone could have
predicted the wealth of treasures that was
Greetings From Michigan: The Great
Lake State.
Over the course of 16 tracks and almost 70 minutes of
music, Stevens tackled joy and loss and hope and hope and
just about every other emotion with a grace that made it
almost seem easy. Using a huge variety of instrumentation
and writing tracks with both traditional and hardly-used
timing signatures, it was a lovely ode to his home state
and a glorious album in general.
Because of the dizzying scale of Michigan it seems
logical to set up Seven Swans as possibly being an
album full of cast-offs or b-sides from the same session,
but in fact they were actually recorded before Michigan
and only finished afterwards. On the first couple listens,
I even fell prey to wanting the same sort of release, and
it wasn't until I'd really settled in with the 12 tracks
that they really began to sink in as deeply as they
should. The main reason for this is most likely due to the
more stripped-down instrumentation and arrangements, but
once again Stevens shows he's a master of the word (he has
a masters in creative writing) as well, with Seven
Swans being an even more spiritual and personal
release than its predecessor.
Although Seven Swans is less musically complex than
his previous work, it does highlight his deft banjo
playing and features the vocal harmonies of Elin and Megan
Smith on many tracks. "All The Trees Of The Fields Will
Clap Their Hands" opens the disc and builds gracefully,
opening only with the vocals of Stevens and banjo before
vocals by the two Smiths join along with a quiet piano and
finally drums to punctuate the ending. "The Dress Looks
Nice On You" opens with guitar and vocals, but moves
through several gorgeous sections punctuated with banjo
and organ.
As with Michigan,
one could go through the entire album and highlight nearly
every song. In fact, the only track that sticks out
musically is "Sister," which features some dirty electric
guitars that don't quite fall in place with the rest of
the release (which is for the most part acoustic). A
personal favorite track of mine is "A Good man Is Hard To
Find," inspired by the short story of the same name by
Flannery O Connor (my favorite writer). Stevens narrates
the song from the the perspective of The Misfit, and as
always makes the whole thing seem almost effortless. I'm
still not sure whether this release is better than
Greetings From Michigan: The Great
Lake State,
but in the end it doesn't really matter. Sufjan Stevens is
a musician who seems to just be reaching his creative peak
and shows no signs of slowing down.
Rating: 8.5
~Almostcool
Sufjan Stevens released his previous album only seven
months ago. Spending years slowly experimenting with
different styles (post-rock, electronic what have you),
he'd finally found one that was a hit with Michigan,
and so has immediately plopped out more of the same;
Seven Swans is the full-priced expansion pack to the
recent hit game, but unlike any Sims add-on,
Seven Swans actually makes your game more enjoyable.
This isn't
more-of-the-same-actually-worse-for-being-the-same the
same; this is more-of-the-same-still-great-great-very-good
the same, and even having been rushed out in such a hurry,
it meets up to its high expectations and even marginally
surpasses its horribly likable predecessor.
It's not about a state, though. Those of you who were into
Suffy solely for his militant Michiganderism will be
sorely disappointed, but you are most likely the sort who
don't count for much of anything. Seven Swans is
composed of odes to love and family and, alarmingly often,
God. The lyrics are as well-composed but ultimately
unimportant as they ever were; the simple but multifaceted
melodies and sincere delivery are the big selling points,
and that point is magnified by Sufjan's increase in banjo
showcasing - it was a gimmick that paid off wonderfully
with Michigan, and does so again.
In "He Woke Me Up Again", Sufjan pulls off a better Phil
Elvrum than Phil Elvrum's been able to do as of late,
adding the banjo that we now see was missing from The
Glow, pt 2. Despite their awkwardly religious lyrics
("He will take you / If you run, he will chase you /
'Cause he is the Lord", "Two men appeared / Moses and
Elijah came", etc.), the title track and the following
"Transfiguration" are the two highest high points - this
album's "Oh Detroit, Lift Up Your Weary Head!" or "Say Yes
to Michigan!", sort of - and bring the album to a
magnificent close. The rest of the highest points are more
similar to Michigan's "Holland" or "Romulus",
affecting acoustic songs with half-whispered lyrics (and
more banjo).
Essentially, if you liked Michigan, you are 100%
guaranteed to enjoy this album roughly as much, due to its
being more or less exactly the same. Play "All the Trees
of the Field Will Clap Their Hands" versus "For the Widows
in Paradise, For the Fatherless in Ypsilanti" and just try
to tell the difference. The same or otherwise, though,
Seven Swans is Stevens' best work yet. And word on the
street is the next Michigan expansion pack will
feature online multiplayer and let you have pets.
~Noah
Sufjan Stevens
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