Album Review
"We
just do what we do, and we're surprised at any success
we get. It's a bonus." Ty Tabor (King's X)
King's X have a sound that is as unique and fresh as it
is indescribable.
A weave of complexities more grandiose than a Hockney
poster and more engaging than the irrepressible Monroe
smile beaming down from a street hoarding.
Since they shook the Marquee last year, since they've
spoken of being "apprehensive and excited" in
regard to the next album, the all-important second
album, they've gelled together with a sense of
cohesiveness that doesn't so much put their debut album
to shame, but shows growth in an area where it was
thought there was simply no room left for it.
Though it's debatable how important to the marketplace
that growth or release is, with the original - in both
senses of the word - `Out Of The Silent Planet` hardly
setting a blaze of orange flame rushing across charts
worldwide.
Could it be that the King's X sound is too unique, too
removed from the acceptable mainstream to make any real
commercial inroads in this bloody business ?
Possibly.
Though, judging by the quote above, mass acceptance
isn't really an integral part of Plan X - yet. But don't
be mistaken, don't for one moment think that they're
unable to run formulaś three-minute hits if they wanted
to.
It's just that they don't.
Take it for what it is, accept them for their ability to
fuse devilish inspiration and instantly accessible
melodies. Don't even acknowledge, just enjoy, say, `Over
My Head` with its huge harmonied chorus and distinctly
unsettling swoops and quirks, Doug Pinnick's voice
brimming with soul, unaccompanied on the outro apart
from a sporadic bout of applause.
The gentle and insistent `Summerland`, which could be `Goldilox`
revisited with its brittle vocal lament and easily paced
guitar.
The spiky `Everybody Knows` with the lead vocal coming
coarse and harsh while flitting from one speaker to
another. Declaring "Ignorance is a road that leads
to trouble / Wisdom is a treasure born in heaven",
it takes a sideways glance at the boorish and shallow,
always vocal never knowledgeable.
"Everybody knows a little bit of something."
`Mission`, which originally appeared at the Marquee
shows under the guise of `Preacher Man`, thunders out
from under its covers berating the demise of the Church
as a bastion of sanctity and faith; wondering as to its
final resting place in a modern society where religion
itself has become a commodity, a mere multi-million
industry, an unpopulated hall that happens to house an
altar. There is discontent.
`The Burning Down` ends it all, at least on this copy,
and as such is an appropriate letting down, a lilting
multi- coloured release from the heady and combusting
fires that `Gretchen...` has to offer.
King's X are on the road to absolute and deserved
success. They are the new faith for staunch unbelievers.
I bet you that in five years time there won't be venues
big enough to hold them. I look forward to telling
~PHIL
WILDING of kramerskorner.com
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