Allan, who was once known as
Romald Domkus, and his band Scaterd Few
burst onto the scene in the late 80's with all the
subtlety of a napalm bomb. They were brash, LOUD,
and their songs addressed subject matter (drug abuse,
gang violence) that many christians then and now would
like to pretend doesn't exist.
And so, like most of the great christian bands, they were
forced into obscurity and for years had to struggle to
make ends meet doing the "indie thing", releasing albums
only sporadically as money allowed.
Recently however, Allan has been able to release several
new projects, including the fine Scaterd Few release
"Grandmother's Spaceship" from a couple years ago, and
"Loud as Feathers" with his other creative outlet,
Spyglass Blue.
Another Scaterd Few release is on tap for early to mid
June of 02, and we recently spoke to Allan about how
things were going:
SP:Why do you think Scaterd Few,
and yourself in particular, sent such a shockwave through
the industry when Sin Disease was released? Was the
bookstore set ready for "Kill The Sarx"? :)
Allan:We put out a record, on a "mainstream" label
(Frontline) that had "mainstream" distribution (Benson),
unlike any other record that market had ever seen before
or since. I told Frontline flat out that I was going to
make a "secular" record, secular in it's content,
approach, etc. instead of the safe, shallow "christian"
records most people made and most still make today. The
idea was to make a record that would hold it's own
against it's secular counterparts. People freaked. The
subject matter was real and not "Jesus makes everything
ok" because He doesn't. Life is life. Life with Jesus
doesn't mean you're not going to have a bad day or
tragedy in your life or in the lives of those you know
and love. That's not the Christianity I've known these
last 22 years. It's also not what my Bible says. Life
with Jesus means you have hope and a Comforter you can
rely on through the good and bad times. I write about
life; mine and yours, good or bad. They didn't like that.
It popped their dysfunctional and scripturally unsound
bubble. The bookstore set still isn't ready for Kill the
Sarx. It's not good for business.
SP:When you first began releasing albums in the
late 80's/early 90's it seemed like there was a bit of a
"christian rock renaissance" happening (for lack of a
better term). Bands like Daniel Amos, The Choir, Adam
Again, LSU, Violet Burning, and your own Scaterd Few were
creating quality music that was as artistic as anything
mainstream, yet spoke of a real world faith. How do you
feel the music being released by christian bands today
stands up against some of those early masterpieces, and
what are your thoughts on the state of christian music in
general?
Allan:Trying to get me in trouble, aye? I don't
think the majority of bands today can compete with what
we were doing 10+ years ago. Christian rock radio proves
that. Again, It's shallow. Church kids making music for
church kids. That's amazing if you're Rock and Roll
Worship Circus (my fav new ACM band) but there are so
many bands out now, the majority who have no business
making records, that could never compete with the general
market for lack of living, lack of songwriting ability,
ridiculous lyrics, etc. They've grown up in a church
environment that doesn't condone real life experiences
and that supports plagiarism (God's Gym T-Shirts, etc).
I'm not saying that because you're not a hooker you can't
relate to a hooker, that's ludicrous. What I am saying
is, if you don't know any hookers, pagans, drug addicts,
what ever, humans that live way outside the church (you
know, planet earth) how are you as a band, without
understanding and knowing what it's like to be them,
going to warrant their attention or trust like they would
say, Slip Knot or whomever. Christian music today is as
irrelevant as it was when Sin Disease came out if not
more because of the amount of bands out there. It's music
by Christians for Christians. Your readers are screaming
"what about POD" right now. What about POD? I support
what they're doing to the best of my knowledge and how
they're doing it but that's one band in how many that has
successfully crossed over?
SP:In hindsight, can you see anything that could
have been done to get those type of quality bands more
exposure?
Allan:Money. People with the money and the brains
and guts to do what was so obvious to me then. Sell the
bands in the general market place. It's barely being done
today.
SP:You're growing a little older. You've now been
located in Texas for a while, have a family,
a nice web presence
and are booked to play a couple of shows at C-Stone this
year. Give us a little insight into your mindset at the
moment and the projects you're working on.
Allan:I'm busy. Looking for a light at the end of
the check signing tunnel. Excited. Cautious. Frustrated.
Optimistic. Cautious. In the last 48 hours, the debut
from American Culture eXperiments and "Omega No 5" from
Scaterd Few, have been edited, mastered and sent to the
presses. Advertising campaigns, marketing, radio and
working on the live shows are presently on my plate.
SP:The Grandmother's Spaceship album addressed
some of the dangers of the "information age". How has the
internet affected what you do?
Allan:It's made life easier in a way. Information
at your finger tips. How did we live without email? It
made me a pretty good living after the Grandmother
Spaceship tour and has helped fund Accidental Sirens. I
think it's great if you keep it a tool and not your
identity.
SP:What do you mean "your identity"?
Allan:Many people are making the internet their
identity. For example: If they are unhappy with their
spouse, cyber sex, etc., instead of resolving the issue.
Not too outgoing, not a lot of friends, shy? No
problem... never leave the house just instant message or
chat. That's not healthy. Identity: When you replace
normal interactive activities off line with online.
SP:Your Spyglass Blue projects are a little more
moody and atmospheric than the very aggressive Scaterd
Few material. Which style do you like best?
Allan:I would almost have to say Spy Glass Blue
because of the production, instrumentation, arranging and
all the wonderful air you can place the vocal in. The
vocal is so much more an instrument with Spy Glass Blue.
But, I just finished a Scaterd Few record, literally (9
days ago) that shreds and that I'm very, very excited
about. I'm passionate about the art that Spy Glass Blue
represents... it's artier than punk rock which is so much
more primal. I love and enjoy doing Scaterd Few but Spy
Glass Blue is closer to where I'd rather be.
SP:Do you play much locally and are there any
plans to do any touring?
Allan:We (Scaterd Few) are starting to play more
locally. Coming out with Loud As Feathers (Spy Glass
Blue) and starting the label/studio back in August of
2001 came after a 4 year nap, so...
SP:Allan, I appreciate your time and look forward
to seeing you at the Cornerstone Fest. What can fans
expect from your shows?
Allan: Spy Glass Blue: A delicious blend
Scaterd Few: Insane riotous angst.
For more info on Allan, his bands, and his record label,
go to
ACCIDENTAL SIRENS.
For our archived Inner-Views
click below:
Kevin Clay Inner-View
By:
Sanctified Press
http://www.sanctifiedpress.com
Scaterd Few(Homepage)
Interviews
HM Magazine
Ontrack Magazine
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