Album Reviews
This
is Shane Tutmarc’s first true rock recording. The innocence
of Waiting For A World War is lost. The shiny, Wilson-esque
pop of Suburbiac is shoved under the bed. New Old Friends is
the perfect transition album, and blends garage pop
containing hooks big enough to make the Guinness Book of
World Records with a (surprisingly) crazy twist of riff rock
and artful sap ballads. “I Smell A Lawsuit” ushers in a new
Dolour, a Dolour in transition yet finding a confident voice
with tongue-in-cheek power pop. “You Can’t Make New Old
Friends” is more familiar Tutmarc territory, as rock gives
way for an orchestrated, beach pop feeling. New Old Friends
is a record is difficult to review because you can’t really
put it into a box. So when I say that Dolour has evolved
into a garage pop sound, take it in stride and realize that
Shane Tutmarc uses a gigantic musical scope and the vibe
that steadily comes across in these 13 songs is slightly
blue collar, sweaty lo-fi gone digital. Brain Wilson
influences are still overtly and blatantly heard, but with
more indie attitude in composition than tidily spit-shined
in production ala Suburbiac. I love the way sincerity
translates in “Before Tonight’s Big Party”, easily the
winner for the album’s best ‘feel good’ song. “CPR” acts as
the backbone bracing the other 12 songs and contains
everything that a trendy underground single needs to scale
charts. The biggest surprise is definitely “Behind The
Melody”, a waltzing bluegrass flavored ballad featuring a
voice that I presume to be somebody else’s, with Tutmarc’s
tenor doing backdoor vocal “oooowweee’s” toward the ending.
New Old Friends is still decidedly pop, but a new premium
has been placed on rocking out, and it’s a breath of fresh
air. This is a record with lots of muscle. Welcome a gritty
Dolour to town!
~
Garrett
For Ben Folds fans who can't stand the wait between
albums, your problems are over. Dolour is the brainchild
of an incredibly talented singer, songwriter and
musician, Shane Tutmarc. While not as piano-laden as
Folds' songs, Tutmarc's are just as good and offer a
fresh indie-pop feel. You'll hear sound upon sound in
Tutmarc's songs, which is probably why he credits 11
people, including himself, for performing on this CD.
It's incredibly rich and powerful, yet subtle and fun.
It's clear where Dolour draws its sound –artists like The
Beatles, Brian Wilson and Elliot Smith –but they build on
the sounds rather than try to blatantly copy the past.
Dolour is one of those bands that will never get their
due but you can do your part by turning some friends on
to this great CD.
~
SH
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