Album Review
This
is Anberlin’s sophomore effort and my first encounter with
the band, so I can only speak from this albums merit. First
off, the artwork is fantastic. Second, Aaron Sprinkle is a
wonderful producer. And third, this band is hot…like Hot
Topic hot; and consequently, flavor of the week hot. At
least for the first two songs.
Who exactly is Anberlin? Well, they’re an a-typical rock
band from the emo-state of Florida. They have a very
emo-esque album title. They even have the energy and
dynamics to rival emo heavy hitters. Who are emo heavy
hitters, you ask? You decide that for yourself. Anberlin
will be within shouting range of them – no pun intended.
This album opens with 2 masterful tracks. “Never take
Friendship Personal” showcases dueling guitars and
interesting vocal combinations. There is plenty of energy
and mild nods to 80’s metal. Anberlin sounds like the
kissing cousin of The Juliana Theory. “Paperthin Hymn”
rides on the momentum of the first track, complete with
creative guitar fills, infectious melodic hooks, and a
great vocal performance. Yet, as the album wears on, the
originality begins to fade and make room for sing-along
pop-punk. The cheekily named “Stationary Stationery”
should be on a Relient K album. It’s a mediocre song that
landed a spot on the wrong album by the wrong group. What
were they thinking? Okay, they just weren’t. Anberlin
tries to redeem themselves with “(The Symphony of)
Blasé”, a song that falls short of being sincerely tender
and heartfelt. Strike two. The intro to “A Day Late” is
compelling, but the band has a hard time in their verses.
The instrumentation usually tames so only a rhythm guitar
drives an emo-clichéd lyric. The choruses are gigantic,
albeit anti-climactic, and an “I’m-more-rock-than-you”
metal riff usually fills the transition from chorus to
verse. I’m growing tired of it. The power of “The Feel
Good Drag” and “Audrey, Start the Revolution!” matches
the quality of the first 2 tracks. Why can’t the band
just make a record with songs like this? However,
“Audrey” has an embarrassingly happy chorus, tale telling
that Anberlin needs some lessons in mood. The album is
closed by an arty instrumental (“A Heavy Hearted Work of
Staggering Genius”) and “Dance, Dance Christa Paffgen”.
The song tries hard, but is stale.
I want to like this band. I have nothing against the
genre, but I don’t understand why a band like Anberlin is
content to record a cookie-cutter album when they could
potentially experiment in the heights of Juliana Theory,
Jimmy Eat World, The Beautiful Mistake or The Fire Theft.
Chalk this one up to average with a brilliant moment or
two.
~
Garrett Johnson
of
Grace Hotel
&
The Black &
White Mag
One Liner: This disc is not a blend
of the latest trend, but a perpetual declaration against
the band's we'll forget about by next year.
A music scene of fashion and faddism has stimulated a
cult-like revolution of watered down garbage, where
uncreative "artists" disregard the truth and emotion
within themselves to hop on the popularity train. Don't
get me wrong, there are some solid "trendy" bands around
today, but that's where they'll stay, in 'today' and
nothing more.
Then comes the revolution on February 1st-- Anberlin's
"Never Take Friendship Personal". With beautiful melodies
and intricately tranquil guitar work, the cd captivates
you the second it hits your ears. Although mellow, the
amount of emotion in the vocal area really gives the
songs a more intense feel; it’s the perfect balance of
relaxation and power.
There's an obvious difference between this disc and the
'garbage' I previously referred to. Overall, these guys
aren't trying to impress people, they're not jumping on
the bandwagon of whatever's in style, and they're not
stretching to be a damn thing… they're truthful and
honest with the stuff they write and it shows, greatly.
Simply put, when a person writes from their mind, it'll
touch people in their minds and nothing more, but when a
person writes from their heart, it'll touch people in
their hearts. That is the overwhelming difference between
these four gentlemen and a lot of the other crap that
outs there. Honestly, I can rave, rant and write a book
on how great this album is, but in reality, my words
won't affect you like the cd itself. I strongly advise
you to pick it up on February 1st... Let the revolution
begin.
~
Frank Giaramita
of
Absolute Punk
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